I picked up my copy of Pete Townshend’s new album, The Who’s new album entitled Endless Wire a few weeks back. I have to admit, I haven’t had time to fully digest it just yet, but I thought I throw out my two cents-
There is no mistaking that this is Pete Townshend’s album with most vocals by Roger Daltrey. I don’t give Roger enough credit, nor have I ever. When I saw them multiple times in concert during the “Who’s Last” tour I just wanted Pete to do his solo stuff.
As with the best of The Who, the 2nd half of the album is an integrated song cycle called “Wire & Glass: A Mini Opera”. The first half is traditionally non-related (again, I haven’t had time to really study the relationship of the songs, so it wouldn’t surprise me if these are somehow also related to eachother.)
For those who don’t know the history, Pete’s infactuation with related songs and “rock operas” began back in ‘67 with a song called “A Quick One While He’s Away”. They needed filler and his mind went blank. Their manager suggested that he write several short songs that tie together, resulting in a groundbreaking 10 minute opus. Soon after came the double album Tommy, to be followed up with the futuristic Lifehouse which morphed into the classic album Who’s Next.
Began by The Who, concept albums soon became the rage; Their highlight in this medium was arguably Quadrophenia, reflecting back to their “Mod” fans and the tension with the “Rockers”. (aside- check out the movie starring Sting.)
Skip forward to the 80’s for Pete’s solo concept album “White City”. It doesn’t get much better than this.
Back to The Who’s new album… there is no insane drumming or driving bass, but it is good to hear Roger’s voice again, and it is also good/great to hear Pete’s powercords reborn.
No offense to Pino Palladino (bass) or Zak Starkey (drums); The Who would have nothing but the best, but it’s not the same as John and Keith.
From the liner notes:
Pete Townshend: “I played everything else on this record, and had fun doing so”
Roger Daltrey: “I am a singer, an actor, and interpreter, an alchemist who turns words into emotions. Just like Oliver and Giegud strove to connect to an audience with Shakespeare, I strive to connect the listener with the soul of Pete Townshend’s music.”
I’m not going link crazy on this post, because if you have any interest, you already know the links.